Saturday, June 8, 2013

FOOD: SPAGHETTI ALLE VONGOLE

Pasta is so easy to cook. One just have to understand the dynamics in making white sauce, red sauce and oil-based sauce recipes to come up with something terrific with any available ingredient from your fridge. Vongole comes in many forms, but we took our recipe from Aglio Oglio (olive and garlic), added some cherry tomatoes and reduced white wine to balance the acidity.


1. saute garlic in olive oil.

2. add in sliced cherry tomatoes.

3. throw in fresh clams. mussels are good alternative.

4. pour in some white wine. reduce

5. season with salt and pepper to taste. you can add parsley, chilli or any otehr herbs to improve the taste.

6. mix  in your spaghetti pasta and voila!

Wednesday, June 5, 2013

FOOD: PORKCHOP WITH MUSTARD SAUCE

Dont freak out if I start posting recipe and food in this blog. With age comes, mastery in the kitchen and/or a little culinary survival skills. This porkchop recipe is so simple  but instead of the usual sunday lunch gravy or toyo-mansi sauce we used to enjoy when we were younger, a little sophistication in sauce which involves wine reduction and mustard  makes it a grown up dish. Here's how: 

1. sear your salted and peppered chops in pan

2. arrange in baking tray

3. drizzle some olive oil

4. chug it in the oven for 20-40 minutes at 235C. can't tell exactly how long, depends on how brown you want your chops to be. 

THE SAUCE
1. save the oil from the pan. add about a cup (or more) of white wine and simmer to reduce. 

2. throw in some butter.

3. mix in the mustard. about 2 spoonfulls. dilute.

4. add pepper and salt. 



TADAH!


Sunday, June 2, 2013

DENIM TURN-UPS

Happy Monday to you all.
Here's a quickie! It's monday and I'm off to a business casual meet over coffee. I decided to wear jeans instead of chinos. I took a quick google about folding jean hems, just to make a statement out of what-could-be-a-manic-monday (schools are back and ugly traffic is to be expected at rush hour). I'm choosing triple fold turn-up to show-off my printed socks. ;) Have a great sartorial week ahead!

Thursday, May 30, 2013

BRIEF HISTORY OF THE SUIT


watch part 3of 4 here

Anthony Price: Suit spells: Success! Success! Success!

Now contemplating... :)

Wednesday, May 29, 2013

PHILIPPINE FASHION WEEK HOLIDAY 2013: MENSWEAR COLLECTIONS

Menswear in the Philippines is a pretty new industry. Unlike London, New York, Tokyo or Milan where menswear are distinct and are established that they have achieved a specific look imminent to their specific region, Philippines is still experimenting. I have to admit, our menswear culture here are in transition. Being a South East Asian country with rich indigenous ethnic background and various European and neighboring Asian influences, we only started to adapt the Western men's fashion at the turn of 20th century. Though, it is true that there were previous influences mixed with local flavor (like adapting suits but in linen fabric to adapt to the tropical climate), it wasn't until then that we truly competed as a fashion industry in a global sense.

This season's Menswear collections are very diverse. I'm not sure if this is the effect of the youth culture, social media and the internet that the most favored collections are those that echoes Juun J., Rick Owens, A. Wang and the likes kind of designs from young and older designers alike. The more established designers, most of them capable of producing their designs in numerous pieces, are the ones who showed "finer" collections. Fine, meaning,  clothes for adult man who are into finer dressing like suits and tie. There are so many factors why our local designers create what they create. For instance, off the runway, attendees  during the fashion week were dominated by the under 30's who wore blacks, boys in Givenchy-esque skirts, girls in Balenciaga-inspired oversized sweaters and so on. If the designer wants a fully-packed hall of audience, then his designs should appeal to this demographic. The suit-and-tie designers on the other hand were scheduled on  a very inconvenient slot of Sunday noon. Why and how? I have no idea. 

Both, the youth-centric collections and the suit-and-ties showed a very well-presented collection this season. But since this blog is for 30-something men, I've chosen 5 menswear designers who topped their game in finer dressing (in no particular order).
        
Melchor Guinto

Theme: Modern Baroque 
Color: The collection started with dark goldenrod, purples and blacks. They've introduced faux-leather biker jackets    in the middle that meld with black on black brocade to more opulent brocade fabrics at the end.

I'll be a little biased on this one, as I was hired to style their show, but in all fairness, the clothes are truly bespoke. Suits and pants were well-made and fabrics, as I was told, are truly expensive. I like the military jackets as alternative to regularly lapeled ones. Turtlenecks made the look contemporary, as seen with this season's Gucci. Brocades are the suit-du-jour of the colelction but I personally find them loud for my taste. As I've heard one person said,"Pang-artista!" Translated, "meant for celebrities," as seen on celebs Raymund Guttierez's and Tim Yap's styles.



M Barreto
Theme: Young Hollywood
Color: Black on Black

M Barreto is the go-to designer of many young male celebrities. His modern take on suits incorporated leather on lapels and sleeves added a young and edgy feel to his collection, still keeping it red-carpet friendly. He showed variety in lapels. My favorite and I think was the most underrated is his double-breasted blazer which I would wear anytime.  


Frederick Policarpio
Theme: Sartorial Pop
Color: Cerulean, Black, Gray, Indigo


Perhaps the most radical (and still wearable) and ingenious menswear to see on the runway this season os the short-sleeved suit. I'm not sure how the Italians would react, though. I like how he took the suit to another level by making them tropic-friendly. I'm in love in his color palette especially the Cerulean + Black combos. It's fresh and well-thought especially when paired with polka-dotted black and white brogues.


Arnold Galang
Theme: Post-Apocalyptic Renaissance
Color: Black and White

Edgy and Sartorial. Probably best worn in pieces than altogether but who cares. Da Vinci's Renaissance Man refers to a person whose expertise spans in different subjects so the idea here is extremism.Galang's man is widely knowledgeable in numerous subject areas that he may well be creative and poetic that he needs an ensemble to represent him. 

Jinggo Innoncillo
Theme: Print Abstraction
Colors: African prints

Jinggo's collection seems to be heavily inspired by African ethnic prints with sporty casual swag. It's young and easy to wear. There were no pretensions. The pieces are easy to wear and looks comfortable, too.  His printed shirts are good additions to your casual wardrobe if you love colors and prints. I particularly like the varsity jacket and the red suit+shorts combo. Perfect for holidays. 



credits: All photos grabbed from Status Mag Facebook page

Wednesday, May 22, 2013

DIRTY30THIRTY STYLE ICON: DAVID DELFIN





Though, he's not in the 30-something category (born 1970), Spanish designer David Delfin's personal style is the perfect embodiment of  Dirty30Thirty style: crisp, clean and edgy at the same time. David's style is a symphony of minimalist punk. His white shirt/black pants  ensemble keeps his look classic and refined while his interesting accessories of minimalist aesthetics with echoes of punk gives off a refined grown-up rebellious feel. It's also interesting how little details like the tattoos on his arms, earrings and short cropped hair adds OG-ness in his look. Authenticity to his true nature,  conscious effort to find the perfect fit of clothes and discerning eye for details keep him apart from the rest .  

When word got around that blogger Pelayo is coming to Manila with beau David, I didn't pass up the chance to "meet" him in person. While everyone was giggling with the youth of Pelayo, my eyes were at David's, visually absorbing his sleek modernity . I met him at the afterparty of the brand who brought him here and had someone introduce him to me. We shook hands and I died. And came back to life. And died again.

"Fashion fades, Style is eternal," Yves Saint Laurent once quipped. I'm always reminded of this when I see a picture of David. His self-imposed personal uniform created his signature style that is beyond what is trendy and fashionable. He updates his look with seasonal pieces but the spirit of his style overpowers what is fashionable making him an iconic man of style. 









IN THE MEXX

MEXX, the  brand from Amsterdam, opened its second store in the Philippines at the new East Wing of Shangri-la Mall in Mandaluyong City through a fashion show (which I had the opportunity to work as the stylist).

It's the perfect store for 30-something men looking for quality classic casual button-downs in chambray, plaids and stripes. It also offers smart options on shirts and trousers that can go from business casuals to date nights. The clothes are very relaxed, neutral and metropolitan-friendly. 

The item I found most interesting is their cardigan with shawl collar with interesting detailing of  finely striped cotton tricot and wooden button. :
Other favorites are:
Lightweight cotton with fifties over-all design and striped turn-up cuff detail.
Denim Shirt in worn-look wash with pearl-effect press button, perfect for chinos.











photo stolen from here <----

Thursday, May 16, 2013

SHIRT TALE: THE GREAT WHITE SHIRT

HOW TO BE A WHITE SHIRT CONNOISSEUR 
(OR FAKE YOUR WAY THROUGH IT)




Back when I was still a newbie in the styling business, the rules of button-downs are very cryptic for me. When choosing shirts, all I care about was if it was small, medium or large.  I definitely noticed the numbers on the tag but I didn’t speak Shirt until now. At 30, I think it’s time for us to be keen and knowledgeable on the most important piece in every man’s wardrobe:  the crisp white shirt. Forget everything else but the shirt. It can bring you places with its versatility. You should know your shirt as much as you know your wine. That’s how huge a deal  it is, big boy! We can not learn the art of choosing the perfect shirt in one purchase, but we could fake our way and pretend like we know what we're looking for when we enter a store. Besides, a perfect white dress shirts can be a real wardrobe investment and can withstand the ever-changing trends for several seasons.

It's very important to know what you're talking about if you actually KNOW what you're talking about. Get yourself familiar with the parts of the shirt so when someone tells you about the "yoke," eggs do not come in mind.






There are 3 things to remember in buying a shirt: Occasion, Fit and Quality.

OCCASION

Occasion will dictate the type of fabric and style. Casual occasions require a less formal fabric and style. Business and Formal occasions is dressier and are very technical.

Not all shirts are made alike (well in RTW, they usually do. haha.). What I'm saying is not all shirts suits every occasion. Fabric dictates the kind of shirt you need. Here are the most common type of fabrics used in shirts:


oxford fabric
The oxford is a coarse fabric that is perfect for casual wear. 
Varieties in the cloth are the plain Oxford, the Pinpoint Oxford and the more formal Royal Oxford. While these first two are more often paired with casual shirt designs like a button-down collar, the third type of Oxford cloth, "Royal Oxford", is a more versatile weave that can be paired with either business or sporty dress codes.


herringbone patern

The herringbone has small v-shaped weaving pattern which is suited for the office.
Not to be confused with the woolen herringbone which is used for pants and coats, the herringbone used for shirts are twill fabrics. The term herringbone used for shirts indicates the texture or pattern woven in such that the direction of the diagonal texture or pattern reverses every so often. Herringbone patterns come in variety of sizes and subtleties. 


broadcloth

Lastly, the broadcloth is a fine fabric that is ideal for formal events. If you’re bent on choosing only one, pick the broadcloth (which is essentially the same as Poplin). It's a tightly woven fabric with a very simple-over weave and slight sheen which makes it very dressy. Broadcloths are generally a thinner lighter fabric  broadcloth. 



Now, if you want to up the ante of your pretend-savviness and act like a sartorial snob,  find out about the thread count. Dress shirts with hight thread count are more expensive to produce and more desirable if you like your shirts silky, soft and thin. 
Thread count is often referred to with a number like 50s, 80's, 120's, 140s to 200s. These  numbers refer to the yarn size not the number of threads per inch.  


FIT

Before looking at the fit these shirts provide, it is important to look at the shapes they are designed to fit.


Although manufacturers may come up with their own terminology for dress shirt sizing, most of them adhere to the same concept of offering three shirt cuts to fit the three most common body types. Some designers offer additional options, and for men who are hard to fit, the answer may lie with one of these less commonly seen fit styles.

Before looking at the fit these shirts provide, it is important to look at the shapes they are designed to fit. Doctors and fitness experts often refer to three somatotypes, or body shapes, that describe most men's bodies; these categories are also helpful when deciding how to dress each body type. I know this will hurt, as truth often does, but at this point we need to really admit to ourselves which body type we fall in. 





Full Fit Dress Shirts

When laid flat, a full-fit dress shirt widens slightly from the base of the yoke to the hem of the shirt. This A-line silhouette is more comfortable and flattering for men who carry extra weight at the abdomen or who have a solid, stocky build. In larger sizes, these shirts typically have larger armholes to accommodate fuller arms comfortably. Many endomorphic body types will find their most comfortable fit with a full-cut dress shirt. This shape is sometimes called comfort fit or relaxed fit by some manufacturers.

Traditional Fit Dress Shirts

When a shirt is labeled traditional fit, it has side seams that are straight or only slightly tapered at the waist. Some manufacturers taper the waist more than others, so it is wise to try on the shirt or pay close attention to waist measurements when buying a shirt with a traditional fit. Many traditional fit shirts feature box pleats at the base of the yoke for more comfortable movement. This silhouette may also be called a straight fit, classic fit, or natural fit.

Slim Fit Dress Shirts

A dress shirt with a slim fit has marked tapering at the waist and may also have a yoke that is narrower from shoulder to shoulder. It is meant to fit a slimmer body comfortably and closely. Slim fit dress shirts almost always have pleating at the yoke and darts at the waist for a more tailored fit at the waistline. When laid flat, this shirt's sides curve inward noticeably.

Athletic Fit Dress Shirts

Cut with a broader yoke and larger armholes to fit a more muscular physique, athletic fit men's dress shirts have a fitted, tapered waist that differentiates them from full-cut dress shirts with the same neck size and sleeve length. Although not all manufacturers carry this fit, those that do are worth finding for men with mesomorphic body types or muscular physiques.

Tailored Fit Dress Shirts

Tailored fit, a commonly used term that overlaps with both slim fit and traditional fit, often refers to a shirt that has a yoke of standard width and a moderately tapered waist. It falls somewhere between a traditional fit and a slim fit shirt, but it is not as wedge-shaped as an athletic fit shirt. Like the tailored fit, the modern fit also falls between a slim fit and a traditional fit dress shirt. An increasingly common term, vintage fit refers to a shirt that has the slim-cut shirt's narrow waist and smaller 


Measure at the chest just below the arms, across the shoulders, and at the natural waistline to get an idea of the underlying body structure. Choose a preliminary fit based on these measurements, but be open to other possibilities; some endomorphs find that a traditional fit is more comfortable, and some slim mesomorphs prefer a slim-cut shirt to the athletic fit that they might otherwise choose.

Many men find that having a range of dress shirts in different fits suits them better than adhering to a single cut. For an occasion that requires lengthy periods of sitting such as a board meeting or long flight, a man might opt for a roomier fit at the waist than he normally would. A cocktail party might call for a slimmer and more body-conscious fit. If he's attending a wedding reception or bachelor party, a man wearing a shirt with an athletic fit will find dancing and raising his arms for a toast 



Men's dress shirts are usually sold with two sizes listed: neck diameter and sleeve length.



These two measurements are key to the overall fit of the garment. If you do not know your measurements, stores usually keep a tape measure. Ask for their assistance.



Do not be intimidated by the numbers on the tag where S,M,L usually appear. They work for our best.


The following tables represent manufacturers' typical sizing, but these sizes may vary from maker to maker. When possible, look for shirts that are measured in inches rather than assigned a letter or word denoting their size for a more accurate fit.

Shirt Size
Neck Size
Sleeve Length
Small
14 - 14 ½
32 - 33
Medium
15 - 15 ½
32 - 33
Large
16 - 16 ½
34 - 35
X-Large
17 - 17 ½
34 - 35
XX-Large
18 - 18 ½
35 - 36

Try it on. A well-fitted dress shirt's collar should button comfortably and leave room for two fingers between the neck and the collar.

Sleeves should be long enough that the yoke does not buckle or pull the tail of the shirt out of the waistband when the arms are extended straight forward at chest height.
Sleeve length is usually listed on manufacturers' labels for shirts, and the right sleeve length is key to getting a proper fit. Men's dress shirts have either French cuffs or barrel cuffs. 

Barrel cuffs (aka standard cuffs) attach with buttons stitched to the shirt and require no cufflinks.
Button cuffs may have a single button or may be adjustable, with two buttons side-by-side. Some have two buttonholes and two vertical buttons- a more formal option often called the “barrel cuff.” Button cuffs may also have a small button on the sleeve, between the cuff and the end of the cuff opening, intended to prevent the area from opening and exposing the gentleman’s wrist.


French cuffs are the most formal option, yet are perfectly appropriate for daily wear in many industries such as finance. The French cuff is a double cuff, folded back and fastened with cufflinks to create a distinctive and distinguished appearance. Cufflinks must always be worn – though there are more subtle options available, such as fabric knots – so the gentleman must be prepared to keep a reasonable selection on hand.



TIPS
  • ·         Cuffs should not ride up the forearm when the arms are raised overhead or out to the sides in a T shape.
  • ·         When the arms are at the wearer's sides, the sleeves should not have more than an inch of fabric that bunches at the cuff, nor should the edge of the cuff travel to the back of the hand.


The back of the shirt may have pleats at the base of the yoke and vertical darts, sewn folds of fabric to adjust the garment's fit, at the waist.
In front, some shirts have a placket, a vertical length of fabric into which the button-holes are stitched, and others do not.
Plain-fronted shirts have a single fold of fabric on one side of the row of buttons when the shirt is buttoned; placket-fronted shirts have a fold on either side of the button row.


QUALITY
This image pretty much sums up the things you have to look for in a white shirt to ensure the best quality. 



Now where to get the best dress shirts in town? That's worthy of another post. :)




http://propercloth.com/dress-shirt-fabrics
http://www.ebay.com/gds/what-are-the-different-types-of-mens-dress-shirt-fits/27618/g.html
http://www.artofmanliness.com/2009/04/12/understanding-the-dress-shirt-custom-shirt-
giveaway/

Monday, May 13, 2013

GOOD READ: The Great Rock 'n' Roll Swindle


Once THE punk royal couple, Mclaren with ex-wife, Vivien Westwood


By MALCOLM McLAREN

Published: September 18, 2005
Music is inextricably linked with fashion. History shows that rock 'n' roll was born in 1947, at the time of Christian Dior's New Look. Unwanted and banned in the 40's, it was forced to go underground. But the moment rock 'n' roll started to cut its teeth on popular culture was the moment when every James Dean look-alike danced with an adolescent girl dressed head to toe in crinoline skirts and padded bras: the Hollywood High version of the New Look. That look, meanwhile, found a rival in the birth of pret-a-porter by Dior's successor, Yves Saint Laurent. It was the dawn of the 60's, and youth stopped imitating its elders and took on an identity of its own, taking over and changing fashion forever.
Since then, we've seen every rock-'n'-roll look strut down the runway: from the velvet-collared, lean, hungry, desperate Teddy boys; to the back-combed, beehived, turtlenecked mods; to the deconstructed, nihilistic, black-vinyl punks; to the tawdry, Spandex-clad glam rockers; to the torn, wasted, antifashion grunge tribes. Rock 'n' roll has been exploited to death by a zillion couture houses. Perhaps rightly so. The original designers are long dead, and no longer part of our everyday references. Their successors treat fashion in a merely decorative sense without any subtext. This doesn't make for news. In fact, the ugliest and most unfashionable ideas are always the most irresistible to the creative elite. They have no desire to be inspired by established thoughts and received opinion. What they want is simply to demonstrate their sexual prowess.A rock star once meant a rebel outlaw -- someone who represented the look of the music. The rules of cool. To dress up, to mess up! To be young, sexy assassins. To sing: ''I am an anti-Christ/I am an anarchist/Your future dream is a shopping scheme.'' But the fashion industry has bought and sold this look too many times. Having poured so much water on its wine, it has finally rendered it innocuous by putting an expensive price tag on it and plastering it with logos. Having been messed, abused, raped and finally left for dead, rock 'n' roll's look has run out of (gasp!) edge. It is now nothing more than a reflection of pop culture's boredom with itself. How can we go on redressing the same corpse?
Easy! Everyone today is their own curator who can pick and mix the icons they worship. Sid Vicious, David Bowie, Marc Bolan. It's all part of a culture we can relate to and in effect, now own. In this new world, shopping and entertainment merge. And the satisfaction we get from dressing like a rock-'n'-roll rebel will last for as long as it is still fashionable. For everyone knows that, once a look wanes, the passion it once stirred seems inexplicable. To understand this is to understand fashion and all those who create and consume it.
How strange it must be for Mick Jagger to sit at Hedi Slimane's show for Dior Homme and watch his naive look-alikes march down the catwalk as if they'd been born onstage in what look like his old clothes -- what he used to wear back in the day, but now produced with the Dior label and matching price tag. Stranger still to see Riley Keough, with the same face as her grandfather Elvis, plastered across magazines and billboards, modeling for Dior. We've come a long way since the 50's, when teenagers and rock 'n' roll co-opted Dior. Christian Dior, in fact, was born exactly 100 years ago.



source: http://www.nytimes.com/2005/09/18/style/tmagazine/TM1896189.html?_r=1&
Related Posts Plugin for WordPress, Blogger...